OPC’s mission is to develop unproduced plays of artistic excellence from diverse writers both emerging and established, and to nurture a new generation of playwrights.
The Ojai Playwrights Conference is unique in its process of developing new plays for the American theatre by offering a safe, productive, rigorous haven for socially committed writers. This is key to our vision.
OPC is passionate about developing playwrights and plays that address the burning, divisive issues confronting us today about the values and beliefs that impact the sociopolitical experiment that is America.
We seek playwrights who question and challenge the dominant values, beliefs and discourses of our social moment. This questioning and challenging can come from any part of the political spectrum. Plays and playwrights that make us think, re-consider and propel us beyond the polarizing limitations of civil strife, discrimination, economic disparity, religious intolerance, political myth-making, sexual bigotry – these are the writers we welcome to come to the community at Ojai.
Ethnic, cultural and sexual diversity are major factors in our selection process. We seek this diversity in order to accurately reﬂect and refract the many faces of the contemporary American experience. This diversity is evident in the writers, the acting community and core developmental artists. Generational/career diversity is also central to the OPC experience, so we have structured a developmental process with a healthy mix of early career, mid-career, and highly seasoned writers.
What makes OPC unique and eﬀective also has very much to do with its retreat setting – a remote natural setting. Our artists live and work together in a secluded, soulful environment where the primary concentration is on the work and on building a rare moment of intimate community, free of commercial competition and rich in artistic collaboration. Every artist who comes to OPC celebrates the highly collaborative, non-competitive process that fosters creativity, exploration and experimentation.
Our primary goal is to fulfill the vision the playwright has for their new work. At OPC we are not encumbered by subscription demands or the business concerns of large commercialized institutions. We are motivated by developing challenging visions of who we are as a people today in an effort to bring us closer together in a respectful and loving community – that is the essence of OPC.
What began in 1998 as a local community effort to provide a forum for new play development has grown into a nationally acclaimed new play development program.
Each year a rigorous selection process yields a group of eight previously unproduced plays by a diverse group of writers at different stages in their careers. Each playwright is paired with a professional team comprised of a director, dramaturge and actors for an in-depth dramaturgical and rehearsal process, which culminates in OPC’s New Works Festival of public workshops for enthusiastic audiences.
OPC assembles artists from all over the country to live and work together in close proximity in a retreat environment, away from the pressures of distractions of their everyday lives. The Ojai community embraces the artists by providing housing support as well as participating in the lively exchange of ideas.
OPC also develops the next generation of artists by offering a Young Professionals Initiative (Intern Program) for college age interns, and a Youth Workshop for high school students.
OPC plays have gone on to have numerous productions on Broadway, Off-Broadway, and at regional theatres across the U.S., and some have been nominated for and won prestigious awards including the Pulitzer Prize (Fun Home, Other Desert Cities) and Tony Awards (Fun Home, Eclipsed, The Motherf**ker with the Hat).
Patrick J. Adams
Jon Robin Baitz
Eric M. Brooks
Debra Breslow Grace
Robert is an award-winning producer and director who has served as the Artistic Director/Producer of OPC since 2002. Prior to OPC, Robert served for 20 years as the Producing Artistic Director at the Mark Taper Forum where he was Director of New Play Development and the Founder and Producing Artistic Director of its prestigious New Work Festival. He was also the Associate Artistic Director of the Seattle Repertory Theatre where he created their new play development program. Robert has produced, directed, and dramaturged hundreds of new plays in the United States and Europe.
Robert is also the Founder and President of RHEgan Productions, LLC where he conceives, writes, produces and directs major live events and media projects for non-profits including Cure Autism Now, Operation Smile, L.A,, Team Mentoring, Global Green USA Homeboy Industries, Center Theatre Group and UCLA.
Mark is a longtime member of the Los Angeles theatre community, as a producer and director. He is the Producing Director of The Ghost Road Company and has directed for Moving Arts, Playwrights Arena, and Theatre of NOTE, among others. He was the Managing Director for The Actors' Gang for 10 years and worked in Education and Programming at The Music Center for 16 years. He is a recipient of the Lee Melville Award for Excellence in Los Angeles Theater. Mark is a Senior Lecturer at Loyola Marymount University.
Ruth has been on the OPC management team since 2010, overseeing marketing, ticketing and customer relations for the annual Gala and New Works Festival. As the owner/creative director of Ballin Marketing & Public Relations since 1999, Ruth has provided marketing expertise and creative services for numerous arts organizations, tourism destinations, downtown districts, community festivals, and farmers markets in both California and Oregon.
Tomas has been an arts advocate and cultural worker for over forty years. He is the Development officer for Plaza de la Raza and LA Stage Alliance. He is the former Executive Director of Self Help Graphics & Art, and is a former member of the Los Angeles County Arts Commission. Currently, he's the Chairman of the Board of Latino Arts Network of California, and is a board member of The Californians for the Arts and California Arts Advocates.
Literary Director/Resident Dramaturge
Chris is a Los Angeles based writer and consultant on narrative, performance, and production for theatre, film, television, and non-entertainment projects. In addition to his work at OPC, where he has served as resident dramturge since 2005, Chris is consulting dramaturge at Seattle Repertory Theatre. His earlier play and script development work includes a long association with Center Theatre Group, positions at several Off-Broadway theatres, and projects with studios and production companies in Los Angeles and New York.
Associate Artistic Director
Hal has been directing at OPC since 2006. He directed the Obie Award-Winning No Child by Nilaja Sun and the Pulitzer finalist Thom Pain (based on nothing) by Will Eno. His work has been seen at regional theaters throughout the country, and he was a recipient of the NEA/TCG Career Development Program for Directors. Hal is the Artistic Director of the Cape Cod Theatre Project and former Artistic Director of the Pearl Theatre Company, which under his leadership received an Obie for "artistic achievement and commitment to excellence in theatre." He is also an instructor at Yale University and associate artist at Seattle Rep.
With OPC since 2012, Jose brings more than 40 years of experience in theater and artist management as a General Manager, Tour Manager, Administrator, Producer and Business Manager to OPC. As owner of Pleiades Management, he manages Mariachi Sol de Mexico and Mariachi Reina de Los Angeles. He is currently on El Teatro Campesino's Board of Directors.
Associate Artistic Producer
Sasha has been with OPC for over 12 years, as a member of the reading committee, advisory board, production dramaturge and artist, and as a 2016 OPC Gala honoree. She is a graduate of Brown University, and the Yale School of Drama (MFA, Dramaturgy and Dramatic Criticism), where she has served on the leadership board for over a decade. Sasha's professional life includes two long-term careers as a senior studio executive for HBO and New Line Cinema, and as a residential designer. She is currently in her second term as AMC Networks theatrical consultant, connecting writers, directors and projects to their networks' teams. Sasha is particularly proud of her work as OPC dramaturge on Peerless, Dryland, BLKS, and How to Defend Yourself.
Youth Workshop Program Director
A co-founder of the Ojai Playwrights Conference, Kim has served on its board since 1999. A producer, director, writer and teacher, Kim is the creator of The Townies Podcast® and founder/principal of Kim Maxwell Studio. A devoted community activist and arts advocate, Kim was honored with a Lifetime Achievement in the Arts Award from the City of Ojai and Visionary of the Year from Ventura’s National Association of Women Business Owners.
Tiffany is a theatre maker deveoted to new plays who has worked in both L.A. and New York. She is Producing Director of Greenway Court Theatre, where she recently directed the NNPN Rolling World Permier of Herland by Grac McLeod. Tiffany produced thee NNPN Rolling World Permiere of Jennifer Barclay’s Ripe Frenzy for Greenway Court, a play developed by OPC in 2017. She has been a staff member of OPC since 2012, serving in a variety of positions, but always as a devoted member of the OPC Reading Committee.
Associate Artistic Director
Casey has directed for theaters across the country including South Coast Repertory, American Conservatory Theater, The Guthrie Theater, Arizona Theater Company, La Jolla Playhouse, Jungle Theater, Woolly Mammoth Theatre, Portland Stage and Cleveland Playhouse. Casey is a frequent collaborator in the creation of new plays and has developed new work at the Ojai Playwrights Conference, Humana Festival, Pacific Playwrights Festival, PlayPenn, Berkeley Rep’s GroundFloor and the O’Neill. For her work as the founding artistic director of Eye of the Storm Theatre in Minneapolis, she was named Minnesota Artist of the Year. Casey serves on the Executive Board of of SDC, the national labor union for stage directors and choreographers.
Alice is a teacher, performer and internationally-produced playwright whose work includes Ajax (por norbody), Last of the Suns, HIT, Roaring Girlie, Ikebana, BATCH and Coastline.She developed Cocks Crow at OPC in 2018, and she facilitated the second and third Almasi African Playwrights Conference, an OPC-style new play development program in Zimbabwe, Africa.
Suzy has been an integral part of OPC for seven years, as Literary Associate and a member of the Reading Committee. She is a graduate of the New Actors Workshop, where she studied with Mike Nichols, Paul Sills and George Morrison in NY. Suzy is the associate producer to veteran Hollywood film and theatre producer Paula Wagner, who is currently on Broadway with Pretty Woman: The Musical. Suzy is also developing her first action feature film TOW, to be filmed in Australia. Born in Beirut, Suzy grew up in Sydney, lived in NY, and currently resides in LA.
Corwin Evans, Sound Designer
Meg Fister, Casting Director
David Mauer, Operations Director
Phyllis Moberly, Publicist
Kelly Musgrove, General Manager
Peggy Ryan, Social Media Manager
Vickie J. Scott, Production Coordinator/Lighting Designer
Debra Breslow Grace
Liza Powel O'Brien